Geffrye Museum - Bronze Green door and Lead Colour balustrade The biggest problem with the naming of colour is the inevitable one of interpretation. Few more so than ‘Bronze Green’, which to some will conjure up...
READ MORE »1930s Paint Colours – An Introduction
Edwardian Interior ca.1907 by Harold Gilman (1876-1919) - Tate Sensory overload caused by clutter and the brightly coloured and strongly patterned wallpapers beloved by the previous generation was sometimes given as...
READ MORE »Onkel Toms Hütte (Uncle Tom’s Cabin)
Apartment Block on Argentinische Allee “Everything in the world has colour of some sort. Nature has colour – even the grey of dust and soot, even gloom has colour of some kind. Where there is light there must...
READ MORE »Stone Colour
Entrance Hall - Roehampton House A recent project reminded me of an important point that one is frequently faced with when examining eighteenth century houses. It is something that often causes surprise especially...
READ MORE »The Entrance Hall in the 18th Century
An entrance hall of the 1770s In 1715 the Scottish architect, Colen Campbell, launched his campaign for a return to the purity which he believed to have been the quality of the antique. In the preface to the first...
READ MORE »The 1930s House (2)
This is the second part of a look at the changing tastes of the 1930s. Part One can be seen here. In this we learnt that the images came from a work published in 1935 by a large paint company, Pinchin Johnson &...
READ MORE »The 1930s House (1)
The Hall These images come from a work published in 1935 by a large paint company, Pinchin, Johnson & Co. It was entitled: New Rooms for Old. Some helpful designs and details for transforming the ordinary interior...
READ MORE »Painting of Georgian Buildings
In 1950 the Georgian Group issued the above sheet offering advice to householders on the external painting of Georgian buildings. The suggestion was that, in spite of continued post-war shortages, there would be a...
READ MORE »Colour and Lighting in Factories and Offices
In these days, when an ability in Interior Design is often seen to be no more than the selection of a completely impractical 'chalky paint' from a ‘Boutique’ paint supplier and an artfully placed pair of old...
READ MORE »Hay’s Nomenclature of Colours (1)
Plate 1 The Primary Colours above and the Secondary Colours below1 A Nomenclature of Colours, Hues, Tints, and Shades, Applicable to the Arts and Natural Sciences; to Manufactures, and other Purposes of General...
READ MORE »
Subscribe using the icon below